2/13/2024 0 Comments Ragtime musical show timesThe Red Garter, home to various banjo bands, was one of his venues. The twenty-year-old Waldo then appeared in New Orleans in 1964, playing with such notables as Kid Valentine and Johnny Wiggs. Mayl's band was one of a few select hold-outs dotting the country from the traditional jazz revival of the 1940s. Soon, he began playing in several bands including Gene Mayl's Dixieland Rhythm Kings from Dayton, Ohio. Waldo began his professional career in 1963 by working in various restaurants around Columbus, Ohio. Meanwhile, he continues a series of live performances in diverse venues including The Supreme Court, Jazz At Lincoln Center, The Smithsonian Institution, The Kennedy Center, Carnegie Hall (as a featured guest with the New York Pops) and The National Gallery of Arts in Washington. The company is now developing a new Off-Broadway musical show for Waldo. Waldo/Lee recently provided production assistance for the latest revised edition of Waldo's book, This Is Ragtime for Jazz at Lincoln Center Library Editions, as well as reissuing the radio series of the same title made for NPR. He continues to produce his own shows and recordings with his partner, Janice Lee, through Waldo/Lee Music Productions, Inc. ![]() Waldo's range of expertise (composing, arranging, writing, directing, and performing) has been evidenced across a wide spectrum of media and performing arts. Waldo studied piano with Blake from 1971 through 1983, although Blake qualifies their arrangement: "Now, I'm not going to say I taught Terry how to play, because he already knew his stuff when I met him.He has become not only a fine musician, but an excellent entertainer." Waldo also studied piano with Roland Hanna, Dick Wellstood, Jaki Byard, and Peter Howard. Blake became his mentor and lifelong friend. He also learned how to play trumpet, tuba, string bass, cello, tympani drums, banjo, and organ.īy 1961, he had organized his first band: The Fungus Five Plus Two ("our music grows on you"), which appeared on Ted Mack's Original Amateur Hour in 1963, the same year Waldo graduated from high school. ![]() ![]() The formal lessons continued for three years in a short time he moved from classical to jazz and ragtime. As a child, Waldo listened to Spike Jones and Dixieland records, and became a record collector himself.Īt around the age of eight he began studying classical piano. The jazz film collection was eventually acquired by the American Jazz Museum in Kansas City, Missouri, and is considered one of the most extensive in the world. Terry spent most of his free time absorbing all this great American music at Baker's. His neighbor, John Baker, owned a large collection of jazz recordings, piano rolls, and jazz films. His family moved to Columbus, Ohio when he was about five years old. Terry's ability to do this, combined with his musicianship, actually reminds me of Fats Waller." Early life He is noted for his wit and humor in performance, as "a monologist in the dry, Middle Western tradition." Eubie Blake describes his first impression of Waldo's performance thus: "I died laughing.that's one of the hardest things to do-make people laugh. ![]() Waldo is also a theatrical music director, producer, vocalist, and teacher. Says Wynton Marsalis in his introduction to Waldo's book: "He teaches Ragtime, he talks about Ragtime, he plays it, he embodies it, he lives it, and he keeps Ragtime alive." The book, This is Ragtime, published in 1976, grew out of the series of the same title that Waldo produced for NPR in 1974. The score includes "Wheels of a Dream," "Back to Before," "Your Daddy's Son," "New Music" and "Journey On.Īudience: Children under 4 years of age will not be admitted into the Neil Simon Theater.Terry Waldo (born November 26, 1944) is an American pianist, composer, and historian of early jazz, blues, and stride music, and is best known for his contribution to ragtime and his role in reviving interest in this form, starting in the 1970s. People from radically different walks of life - an African-American family, a Jewish immigrant family and a wealthy suburban WASP family - see their lives intersect in the aftermath of a crime, with unexpectedly emotional results. The musical is a tapestry of New York area life in the first decades of the 20th century. The recent (and acclaimed) Kennedy Center revival arrives on Broadway. This much-loved musical explores themes ranging from immigration to racism and social unrest in the early 20th century.
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